SARAKIKI is a local term apparently referring to premeditated or frenzied movements which means to allure, to draw with, to attract or exercise attraction, to entice or to win. By its pre-colonial denotation, it means to praise, extol or eulogize spirits of gods. The word does not only ascribe to the ritual or hadang as an activity to gratify the gods, but likewise hadang as the offering or the sacrifice.
HADANG…a ritual dance. Sarakiki as a ritual dance per se is a dance-offering of the Warays to their deity or deities which traces its roots to pre-colonial religious beliefs. Calbayognons held that spirits occupied a position of command over the power of nature which may inflict harm or do good in society. Rituals to please these spirits were held during feasts and other occasions like planting and harvest season, drought and in times of dreadful epidemics. The ceremony could last a couple of days. It involved the entire villagers who offered (manok) sacrifices to venerate the spirits. Traditionally, our forefathers make use of patani ug ugis nga manok (black feather and white feather chicken) as the offering in veneration of the spirits.
SARAKIKI-HADANG in a nutshell, had two elements: one, the way the ceremonies were prescribed; two, the offering to the supernatural. In the former, ceremonies were done in all sort of gesticulations and body movements – that of the chickens - uproar and shouting in rhythmic beating of talutangs and pealing of bells. The other element was the use of patani ug ugis nga manok as the sacrifice. A manok serves as an offering and indubitably as a part of the ritual.
In the context of cultural development, the term Sarakiki is adapted to describe the significance of the movements used in the famous dance “kuratsa”, a courtship dance eminent to all Calbayognons. Today “kuratsa” is the most popular dance form consummated in all celebrations most especially during wedding jovialities. Sarakiki is likewise place forth in songs particularly the SADA-SADA an event of merriment in the evening before a wedding ceremony, which redound to one of our most well-liked tradition, the so-called pamalaye or pamamanhikan. Another confirmation is the thumbs-up form of the Calbayognons while dancing which represents the tahud.
During the 1st Grand National Streetdance Competition - ALIWAN FIESTA in May 1-3, 2003, participated by 26 famous festivals in the country,the Sarakiki-HADANG Festival of Calbayog City won the 3rd prize.
SArakiki-HADANG Festival is celebrated in Calbayog City every year from September 1 to 8 under the auspices of the CITY ARTS AND CULTURE OFFICE, with Mr. JONAS T. LIM as the Festival Director.